Attitude Adjustment
When things get me down, when I'm starting to frown and think Marvel Comics just might have blown a gasket and gotten turned around somewhere that I don't want to follow anymore, I am seriously seriously lucky to have one of the new Amazing Spider-Man writers come into the store and set me straight. To show me an old panel caption or two that brings a smile to my face. To tell me things and gags in his upcoming issues that put my mind at ease and to commiserate on issues that we just don't think live up to the mighty Marvel manner (sometimes in very frank terms). To remind me that hey, some people are taking this way too seriously and unknowingly pull me back from being one of those people.

Yeah, people don't talk this way, but sometimes... don't you wish they did?
Thank you, sir. I can't wait for a Brand New Day.
Added to the Lexicon
Okay, it might be all I can say on this and it's a positive note:
BB: I made that choice very deliberately. Don’t get me wrong - I do like to keep some things off camera or panel if that will serve a particular scene or story. But in this instance, moving this off panel would have alluded that something sexual was going on or something rapey was happening.
Rapey. It's like truthiness, in a way. It almost sounds kind of funny, taking the edge of a horrible topic and making it sound kind of... cute. Rapey! Not rape-ish, rape-esque and rape-like or even 'a serious violation of the character'. No, the scene's just not rapey! I honestly like this new word that Bendis has added to my vocabulary. Thanks, sir.
In Your Father’s Shadow
Okay, so we've all seen the Captain America redesign, yes? Go click, ooh and ahh, then come back.
I have to admit, aside from a little burlesque there with the black sheath slipping down to show you Cap's all chromy insides, I don't think it's horrible or the best thing since sliced bread. As much as they want to make a big deal out of it, I don't think the internet's all that broken over something... this simple. It's a costume and marks the change of Steve Rogers holding the torch to the next guy.
Which... come on. The black? The knife and gun? Unless Thunderbird's taking a break from the X-Men, we all know who's in there. Considering December will herald the last clash between Iron Man and the Winter Soldier, it only makes sense that some CHANGE COME FROM THE CONFRONTATATION. A novel idea I know, but with Brubaker at the pen, I don't think Winter Soldier will suddenly realize he's been wrong all this time and walk off to be arrested nor will Iron Man once again get his butt handed to him to go slink off and lick his wounds while still being in charge. No, Steve left a letter for him asking him to both save Bucky and continue the Captain America tradition and Tony's a smart enough gut to know how ot do both at the same time and maybe earn a cookie for the effort.
Now, when talking about this at the store with my illustrious and savvy fellow employees, I got into the fact that should Bucky accept the role that's been set for him as the new Captain America, this is some good story. For one, think about this: ever since he was a kid, he's never really been his own man, starting out as a mascot for the WWII war effort, then manipulated into the Winter Soldier... and now given this new hat to wear as an American icon? Mind you, there's no terrible communism or torture involved, but still, it's a lot to think about and digest.
Plus, there would be no way that Bucky would want to wear the traditional Captain America uniform. The man was like a father to him, this shining exemplar of everything Bucky knew was right and good and all that... it'd be uncomfortable for a man like him to step into the same mold because it simply wouldn't measure up. It'd be like wearing your dead father's old suit, creepy and way too uncomfortable, I said, then realized once again why I think Brubaker knocks it out of the park for me.
I was worried about the way a character would feel about a change in costume.
Silence = Death
You'll have to forgive me, but I have a wicked headcold and could use a little chicken soup/crackpot theory on comic storyline surprises.
So... Black Bolt's a Skrull.
Yeah. I made that decision long ago when Marvel pulled the latest of its "What will you do, reader? WHAT! WILL! YOU! DO!?" taglines and made us all look at the Marvel rosters for secret squirrels err, Skrulls to figure out who to trust.
At first, I went right for Doctor Strange; an odd lack of protecting the mystic arts, proclaiming that chaos magic didn't exist, and his running in the opposite direction of Civil War didn't seem all that trustworthy. It would explain Bendis's hamhanded handling of the character and be a hell of a thing to find out that the real Sorcerer Supreme got taken out and was chained up in space somewhere so he could run into Annihilation... but that's nonsense and wishful thinking. A lot of spells have been slung around and Bendis has tried to declare the New Avengers clean... though that could all be a ruse and if I start to think that way I'm going to start dropping titles out of frustration.
Everyone's going to point to Tony Stark, but that's just bad storytelling. No, exceptionally bad storytelling.
I figured one of the Illuminati had to be involved and so my vote goes to Black Bolt. He's silent and doesn't have to exercise his power everyday, so one could slip under the radar of not having world-shattering hyper-sonics. As part of the Ruling Council, he's got a great amount of support to figure out how to run Attilan and, as highest in the ruling food chain of the Inhumans, he's got a pretty good connection into the Marvel Universe as a whole. Who's going to turn down a visit from the moon nation?
And thanks to the first issue of the Illuminati mini-series, there's even a good chance for the old switcheroo to take place right under the Illuminati' noses. I thought that issue was far too A-Team to just slide under the radar and while consecutive issues have never reached that level of A-Team-ness, it'd be nice to get to go back to that issue for that one clue we missed while Tony Stark was stuck dragging Professor Xavier around while firing a gun.
I'll be honest here, too: another reason why I'm calling Skrull on Black Bolt here is because it would make me feel better. I think the character is a lot better that how he's been shown in recent books and saying he's been an impostor is a pleasant if not corny little salve on my bruised fangirl soul. Not to get into a nerd war or anything, but I am very sorry to tell Daniel Way that there is no way that the Hulk could have beaten the monarch of Attilan so easily. Sorry, just doesn't fly with me when, as base fact, one is a very strong hand-to-hand combatant and the other has the world's most powerful ranged weapon known to man. The Hulk may have not been this angry before, but Black Bolt can level cities with a whisper. Sans the rest of Attilan, not to mention space physics and all that jazz, Black Bolt still should have been able flay the flesh from Hulk's bones before he was able to get within arm's reach. Graphic, I know, but I feel pretty strongly about this and if the reason for this oversight was that it wasn't actually Black Bolt after all? Like I said, a little salve.
This would also explain the train wreck that was Silent War as Black Bolt seemed to have a heck of a time making the right decision through all of that. Whe, at the end of the tale, Luna goes to Black Bolt in prison and asks for some clue as to how to fix everything, we cut to a black page. Now, perhaps this wasn't because David Hine hates me personally (which I know he actually doesn't, please Mr. Hine, I'm not serious), perhaps it was because showing any more would have ruined a reveal that was in the works for months and wouldn't get played out until this new Secret Invasion. Mr. Hine has said that he has a third part ending for his Kicking the Inhumans in the Nads masterpiece that is still in the works (an idea he's "pitched", meaning that all of that was written without a clear ending in mind making me once again nervous for editoral at Marvel) and it'd be neat to see that all of this is going somewhere.
So, yeah. Black Bolt's a Skrull. There ya go.
A Personal Note to Dinah Lance
Ever since I was a little girl, I had dreamed of my own Klingon Wedding. Oh, you think I'm joking? The bat'lehs, the blood wine, the big pointy shoes... I could see myself battling my future husband then joining forces to send the Gods into hiding. But my new Mister persuaded me otherwise and he had a fine point; as much as I think the Klingon ceremony really is rather pretty and meaningful... there has to be a limit, you know? Believe it or not, there are some situations you have to sort of man-up to and take with a modicum of decorum and solemnity... and science-fiction swords don't fit in there. So we had a lovely ceremony sans ritual weaponry, but I threw in my touches where I could.
Because really, the ceremony is equal parts who you are, where you came from and where you're going. It's a chance to stand up and get to the basics of you, the person you love and your future. There's no magazine for that, no wedding planner with all the answers, no monetary value on creating a family, creating a legacy.
So, I have to ask: Dinah.
I mean, really?
I understand your viewpoint, that your inviting a lot of people from 'work' and have a lot of secrets that simply need to be kept. I think the ceremony in the JLA cave is a great idea, very touching and important. But really. Ollie was right; you look like a fetish ball. This is not the foot you want to start on for the first day of the rest of your lives. While you simply glow in the moment thanks to the marvelous work of Amanda Conner, as bright and as beautiful as every girl on the cover of Modern Bride since the dawn of time, that dress (or lack thereof) just isn't sending the right message.
Dinah Lance did not get married, Black Canary did. She didn't marry Olliver Queen, she married Green Arrow. And all the danger, lies, death and adventure that brings. Honestly, I was all for this wedding as DC doesn't have the history of heroes-marrying-heroes that Marvel employs, but as a wise man once said: "Not like this!" In trying to make this a moment for heroes, it just didn't include the man behind the mask.
Or at least, didn't get a chance to so far.
And you wonder why you had to stab him in the neck on your honeymoon.
The Flipside of Things
Okay, strangest thing just happened: I was watching an ad for the Hitman movie coming out this month and suddenly I found myself thinking about the video game was based on. How I might want to look into it, maybe rent it from a Blockbuster, see what it's like. After all, the movie looks kind of cool and the storyline (or at least what I've gleaned from a commercial) is interesting enough to play around with in a first-to-third person shooter.
And that's when it hit me: does anyone feel that way when they see a trailer for a comic book adaptation?
That Girl!
So I watch over what I write on ye olde internet, seeing if anyone's saluting the flag I run up the flagpole. Doubly more for the Fifth Color; as it is my SERIOUS BUSINESS, I try and save my A-game for the folks at Newsarama, giving my readers here (HI MOM!) a little more of what's on my mind. I mean, come on: name your column 'The Fifth Color' and try and say you're not being pretentiously vague...
Anyhoo, today's was very important to me as I'd been saving it for awhile now, the idea of 'Who is my favorite chick hero anyways?" one question I get asked a lot. Most of my favorite characters are dudes (multiple dudes in fact) and the fact I have to trope out 'Wonder Woman' in polite company gets under my skin. Because every time I pick one, they tend to go off their beam or set to the back burner or worse. The Wasp used to be the one I'd hold up as my woman champion... and then I ha to go into such explanations to say why! While I went on about how she was one of the best Chairpersons the Avengers ever had, the first to name the team and all, I'll I'd hear was 'Hank Pym sure hit 'er good, hurr hurr'. Sadly, the character has been so saddled with her poor romance she's barely grown on her own since her time as Chairwoman. No one cared, not even the artists who never seemed to bother with the fact that this was a fashion designer; seeing he recent Patsy Walker story with the Immonens just kind of hit that one home again. It's a waste and Janet Van Dyne is probably due for a genius writer to sweep her off her feet, but until then... we're stuck.
I thought Jennifer Walters could be my favorite female superhero as she was living large, strong and sexy, smart and confident. A lot to look up to and she always seemed to own whatever book she was in. Dan Slott brought her back to the lawyer biz and put a good inner conflict on the life of a hero and the life of just an ordinary gal and how the both are just as daring as the other. And then... the Agent of SHIELD line hit and the character seemed to go right off the rails. Sleeping with Tony Stark and being turned down by Wolverine on the job (not to mention being called 'sloppy seconds' without putting Logan through a wall), all the self-respect I liked about the character seemed set aside to show the reader that the character needed it in the first place. It was awkward and now Peter David seems to be going in an all new, all different direction that I fear is going to be just a way gritty up a character that was so different from her male counterpart she might as well not even been the "She-Hulk". I don't want to have little faith in the future, but some nights one wonders if anyone gets want I'm looking for in a heroine.
And then I read The Cat #1 from the Women of Marvel TP and thought, "Hey, maybe someone does get it!"
The Cat #1 was written by Linda Fite and it's an action/adventure comic with all the earmarks of a tried and true Marvel comic. It's got human drama, tragedy, acrobatics and this little gooey center of truth in the whole thing. It was great and I need to hit the back issue bins like a house a'fire and grab myself the whole run of this short lived little book. If your curious, I have a rather bland little retelling I did of the issue from the Women of Marvel; I held back a lot of personal opinion to try and let people make their own decision on who Greer Nelson was and who she is now. Working at Metro, I know what it's like to have someone go on and on and on about a beloved character to the point of causing backfire and I didn't want to be That Girl.
Because, as far as I'm concerned, Tigra and The Cat are two ENTIRELY different characters. Sure, they have the same name but there is no trace of the young science student in the bikini-clad cat-woman that now graces comic covers. A woman that once had to fight for her independence, gained an incredible intellect through what amounts to a 'super-soldier serum' is now not only a traitor and a spy in Civil War (the real crime being that she was a BAD one), but now full of meows and purrs for a man known for his incredible success with women: Hank Pym.
Careful, I'm becoming That Girl, but Greer Nelson was a lot cooler as a student of science who had surpassed what society thought of her to don a super-suit and cling to rooftops in the chilling rain. The character as she is now has little to nothing to connect her with her first issues and in a way, I'm kind of glad.
My Itchy Fandom: The Incredible Hulk
Manager Hank and I got to explain what 'jumping the shark' was to a fellow employee. You see, as I at least told it, it comes from the idea that once something 'jumps the shark' (as Fonzie did on Happy Days), there really is nothing else. You can't be challenged because what's possibly going to seem more dangerous (or less ridiculous) than jumping over a shark on a pair of water skies? How can you go back to simple drama or more personal stories? You jumped a freakin' shark! It's pretty cool don't get me wrong, but it's like that Daffy Duck trick he'd do to end the vaudeville show cartoon where he drinks nitroglycerin and blows himself up. It's a fantastic trick and brings down the house but he can only do it once.
And thus, World War Hulk. As of issue #4, I can pretty much guarantee that none of the results are going to matter to anyone bigger than the Hulk himself, and even he has to revert back down to a more popular culture standard by the summer. World War Hulk is a lot of sound and fury signifying nothing at all.
Why? Thanks for asking! You see, I'd been actually with World War Hulk (though shaky on a few points) up until this last issue. #1 came in to lay down the ground work to those who hadn't been paying attention and to take out some major structures. This is to show that we're playing for keeps, or so I think, showing Iron Man taken down with fighter jets and buildings smashed and Black Bolt held up helpless and defeated (which is another story in and of itself, just table that thought). All in all, something that really set the tone of this whole she-bang. This was going to be brutal, it was going to be righteous and Civil War was going to look like the McNeil-Lehrer Hour next to this real war of wars.
Second issue kept it up as far as throwing heroes at a man destined to win. I mean, they can't defeat the guy on #2, right? The fights were fantastically illustrated, real meaty slugfests that went beyond showing you the face-offs that Civil War gave you and delivered the blow by blow of a super battle. It probably would have been better if oh, say... the rest of the Marvel Universe was affected by these battles the way that Civil War sent shockwaves through other books; Peter Parker unmaskes in Civil War #2 and Amazing Spider-Man follows suit, Sue Richards leaves her husband as of Civil War #4 and the Fantastic Four title shows you the aftermath (or an entirely different departure, but again, rant for another time). Here, many major heroes go toe to toe with the Hulk and lie in the street in bloody heaps and... the Fantastic Four are on another planet saving Sue. Or Ben and Johnny are stuck with the Zombie-verse. The Avengers (both sets) seem to be just fine in their own books, the Mighty still paused in the world's slowest fight with Ultronette and New hanging about the Sanctum Sanctorum in a paranoid fit (again, more rants, another time... focus, Carla!). World War Hulk #2 could have been cooler if just a little more attention were paid to it.
#3 was it! #3 was the issue that had me in my seat, ready for something big in the Hulk-verse, so to speak. There is no situation that can't be improved with an appearance by Thunderbolt Ross in my opinion and his explanation of why the Hulk doesn't deserve the air God Fearing Red Blooded Americans breathe is everything I love about the character; his stick-to-itiveness, his firm belief in what he thinks is right to the exclusion of all else is what the anti-Hulk side needed. From his point of view, there's a sense of danger and threat because really, how much can titans slug it out? We need some human contact, as flawed as it is, some history and Thunderbolt firing two pistols into the Hulk's face as they plummet from a hellicopter is just genius. Of course, the act is futile in the face of the incredible Hulk and a couple more issues, but the sentiment is there and it put the book over for me. By the end of this issue, Doctor Strange is so desperate to stop the madness, he drinks the essence of the extra-dimensional demon powerhouse Zom, I guess thinking that if you can't beat 'em...
Okay, that's pretty hardcore. A guy who's been relatively hands-off in recent events is taking not only EXTREME action to try and find a resolution, but possibly unleashing forces he had no way of controlling that could easily make a bad situation worse. This isn't just the act of a desperate man, this is the act of a stupid man and here is where my worry starts.
Issue #4 sets in on the big Demon-Fueled Strange and the Righteously-Indignant Hulk fight and despite the power level and the awesome factor, this is kind of a weak battle. In fact, even the Hulk seems a little tired of all this and doesn't seem to have his heart in the battle, almost trying to talk Doctor Strange down from this incredibly risky and uncontrollable turn of events. After saving a bunch of people from Rampaging Strange's destruction (yeah, figure that one out), the not-so-good Doctor is forced to join the rest in the new gladiatorial pit. Rick Jones, the shadow of this book (and sadly just as empty- yikes! another tangent!) shows up to give an 'AH HA! You're not REALLY a monster after all!' moment that was better done in the last issue of the Incredible Hulk with a less interesting character. Hulk shrugs this off and sets about showing the Illuminati what he had to go through off-world while the rest of the heroes in the Marvel Universe just seem to... watch in super-handcuffs. What were once elegantly brutal fights are getting sloppy, where once we had some enthusiasm for seeing heroes fall we find redundancy, and the book has officially lost my attention. Justin time for the Sentry to get off the couch.
That's right, OFF THE COUCH! Like Mighty Casey at Bat, the Golden Guardian of Neurosis has been sitting back on the couch watching this all go down with pleas from his friends and comrades to get up and do something, goddamnit! And finally, after remembering a conversation in which IRON MAN told him it was OKAY TO PLAY GOD, he leaves his house and is ready to end this travesty of justice.
Let's face it folks: other books have moved on. As if realizing that the characters involved in World War Hulk weren't going to make a difference, the tie-ins to World War Hulk have come and gone. Frontline is focusing more on the lives of the characters than revealing half of the secrets that it did for Civil War. Issue #4 was the issue I stopped reading this series and started flipping through it for salient points. While Civil War: Frontline added some dimention to the overall plot and painted both sides of the war with damning evidence (okay, the MySpace Rant wasn't exactly 'damning', per se) and at least contented some questions I'd had. It wasn't great (those historical comparisons in the back were really lousy), but the main story carried itself through. This, however, is starting to look more and more like a vanity project for Sally Floyd (the woman WHO LIVES BY HER OWN RULES!) that showcases scenes of war and disasters in a four-color smash-'em'-up event. I'm not saying that World War Hulk shouldn't have major repercussions and that the innocent bystanders shouldn't have a place in the story, I'm just saying you can't pull on my heartstrings that some poor old woman lost her house while the Hulk was totally throwing that dude through a building. Don't ruin the action with sentimentality, wait until the slugfest is over, then show us the misery; otherwise, both lose their impact. Then again, this may be just me.
The very moment I decided I was going to start flipping was at the end, when Ben Ulrich goes undercover to see the Hulk Gladiatorial Pit up close and personal. As he sits with people hungry for violence and spectacle, the opening act seems to be a demon shrike from the Team Aliens fighting a lion from the zoo that s obviously shown to have no survival instincts left in him. It's a sad sad picture made worse by the audience reaction and their lust for the gore. Ulrich asks the guy next to him who was going on about how the lion was fried and split like a peach is the guy had any pets, to which he replied two dogs and seemed unfazed by the comparison. "We have met the enemy and it is us", honestly, it's no big revelation and showing that the conquered can be as 'evil' or brutal as the conquering is a common trope of war stories since long before Hulk showed up in a space ship. What bothers me so much about it is that this is the Marvel Universe where I could count on the common man to rise to the occasion. The first two Spider-Man movies endeared me to them by showing that when the chips are down, we rise up to aid the honorable and in need regardless of powers, Luke Cage's neighborhood threw things at SHIELD agents trying to take their hero down, all of this showing some inherent good in humanity.
Civil War: Frontline gave you Sally Floyd and Ben Ulrich, the humanest of the human, as the conscience in some ways of our heroes at war. World War Hulk: Frontline seems to be showing us at issue #4 out of 6 that there is no way the hope for the future is going to rest with us, so thank god the Sentry got his butt off the couch.
Augh! I swore I wasn't going to do that! So, sum up: World War Hulk is ending in an issue while the rest of the comics on the stands had it end months ago. With issue #5, we've been shown that one man is going to be more powerful than the rest of the heroes combined and settle things in 28 pages that the rest of the series entire couldn't do. Daniel Way has blown up the Hulk without knowing that this trick? You can only do it once.
Crime Wave Hits Southern California!
Well, not but an hour after I posted my last here at Snap Judgments, I manged to contract the throat cold that one of our customers had been sporting for the last couple weeks. My sinuses exploded, I lost my voice, started up a little fever and the manager sent me home, making sure i didn't infect anyone else with my deadly motaba virus. But, before I left, i grabbed some of the best cold and flu remedy around: my pull comics from the last couple weeks plus the new Women of Marvel 2 trade out that very day. If I was out sick, I was going to enjoy it.
While waiting for a ride back home (as in my sorry state I could barely breathe, let alone get myself home), I deposited myself at the local coffee shop and waited for pick-up. When relief arrived, I gathered my things to go and found myself missing... my comics.
Other things I had on me: my keys; my wallet; my laptop computer, two mp3 players (one for music, one for file storage) and a very snazzy looking computer bag. And yet, the only thing missing was a nondescript brown paper bag containing one trade and a dozen or so floppies.
I searched the place, asked around, talked to the guys are the shop and came to the conclusion that someone had stolen my comics.
Now, I'm no Jeph Loeb here, but I think I went through all five stage of grief regarding my lost books by now and can finally move on to the healing:
- Denial
There was no way someone stole my comic books. Who would steal cmic books when I had a perfectly good laptop with me? No, no, no... I had to have misplaced them and soon, I'd be going through the Women of Marvel 2 at a happy and chagrinned clip, right? I must have left them at the store! They must be still on me! Maybe I didn't buy any in the first place! I mean, stealing comics? - Anger
I couldn't believe I was so stupid as to get my books that day of all days. It was all the guy at the register's fault! He gave me a magazine sized bag rather than a comic sized one and my perceptions were all thrown off! What kind of lousy good for nothing creep steals comics!(Also, I fought Wolverine.) - Bargaining
I buy too many books! That's the problem. If I just didn't by so many books, this wouldn't be such an issue. I'll cut down. I'll go through my pull and just get what I need, and then maybe I'll find my books as some sort of karmic retribution. I wonder if I could offer a reward? - Despair
WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHH!! I MISS MY BOOOOKS! I wanted to read those! I don't even know which ones I got! My review copy of New Avengers was in there and now I'm going to have to BUY IT! WAAAAAAAAAAAAAAAAH!!(Also, Spider-Man cried with me in the rain. In a graveyard. While wearing all black. Listening to Morrissey.) - Acceptance
Welp. They're gone. No one's seen them, no one's going to come to the store and try to sell them so I can leap over the counter and plant a boot in their face. I just lost my comics. Maybe they'll go to a good home. Maybe the thief will share them with a younger sibling and something good might come out of this. After all, I have good taste in comics. Maybe someone will read and enjoy them and spark something new. I'll just have to piece together what I bought and see if I can't read something at the store. They'll trade the Green Lantern Sinestro Corps and I'll be able to get the whole story in one go instead of all this second printing hunting.
I miss them, but they're gone and like Iron Man watching "Cap's Body" sink beneath the frozen water, I know I only have myself to blame.

Run Silent, Run Deep
Alright, after New Avengers: Illuminati #5, I just have to start with
I CALLED IT!!
Send down the balloons, Mr. Colbert because I CALLED THAT MO'FO'! And I was even sick at the time! Mind you, I do know that this is a little like called who's buried in Grant's Tomb, but these days the fickle hand of Marvel fate can take the most logical of courses and send them over the waterfall in a barrel. I called this, it does fix a few things and eases a few fears over inconsistent characterizations.
So, Black Bolt was a Skrull. No ifs, ands or buts about it and if the story is solid, he would have been a Skrull for a long time. I'm going to again say that Black Bolt was probably a Skrull Post-Jenkins Inhumans mini because 1) I really like that story and 2) it's in this semi-nebulous area of time that doesn't actually relate to many stories outside of itself (shame, really). In fact, it'd probably be best if we just find where the first really stupid decisions started getting made and take it from there.
Pre-Silent War? Well, yes. Poor leadership positions and a rather aggro attitude towards something that should have been solved in a more thoughtful manner ("Hey, Reed? Medusa here. Yeah, your government got a hold of some lethally dangerous Terrigen Mist crystals because my brother-in-law went crazy. Can you go use your sway as a Very Important Person and our long term ally and help us out? Sure, we'll watch your kids this Sunday!") that would have gelled better with previous history. Pre-Hulk Decision? Most definitely; divide and conquer plus Xavier not being there to ratt him out (though, apparently the Skrulls have gotten a recent upgrade according to this issue that makes them undetectable by logical methods) make a well-played move for the sneaky Skrulls that's done a heck of a lot of damage.
But beyond that? Nothing's really jumping out at me. This might be because continuity hasn't been rewritten yet that will totally show us all how incredibly well thought out this invasion is, or we might have reached the moment of switcheroo. In that case... where's Black Bolt? How did they swap him out? Did they even swap him out or was there a disintegrator ray used and is this a more serious threat than simple body swapping?
The very idea of killing off the people these Skrulls are impersonating sounds like such a bad idea. It's shooting yourself in the foot to add a level of danger to a plot that, let's face it, we've seen before. It's like saying superheroes would become enemies of the state if they don't register with the government and taking vigilantism out of Marvel- ... Yeah. It seems like an extra twist of the screw that would make everything more brutal and real and dangerous and that is so up Bendis's alley right now. It's why we have two Avengers books, it's why Tigra got the ever-living daylights beat out of her in gruesome detail on panel.
Who can you trust, indeed?