All You Need to Know: New Avengers #36
Someone asked me about this issue today, wondering if it was any good. Well, I can say one thing: This issue quite possibly breaks time and space in ways I didn't think a comic could do to me.
And that's me, personally, IRL to coin a term. I'm sure once this is all traded out it will make complete and utter sense but as a monthly? Oh my lord. Reality folds in itself to put this context. Let me recap which is surprisingly easy since this issue just so happens to be a recap issue.
For a storyline that hasn't been published yet. That's right: the first five or so pages are dedicated to recapping the symbiote invasion of New York, soon to appear in Mighty Avengers once that book gets back on schedule. In the meantime, you can read New Avengers #36, get the idea of what's going to happen in a few months and then decide if you want to know any more. Mind you, the story is easy enough to figure out if you read solicitations and it's not like anyone is really going to be spoiled on the basic outline of the plot, but still. Bendis kind of just killed his own book.
So, Luke Cage recaps the whole 'everyone turns into Venom or Carnage' boiling it down to salient points: some Avengers (Mighty and New) turn into symbiotes because a chemical bomb was dropped on New York City. Those who weren't affected (some Mighty guys and Luke Cage) try and fix the problem while fending off teammates and scores of innocent bystanders. Tony fixes it all in the end and the two teams who are supposed to be at each other's throats unite to clean up and take care of the damage and people left behind. They go their separate ways so Luke Cage can give his recap to Jessica Jones (who napped through the whole thing if I'm reading it correctly), adding in that Wolverine is going to go talk with Jessica Jones after her most recent bout of turncoatism.
Cut to the Mighty Avengers who are getting ready to attack Latveria. You see, apparently they know that Doctor Doom dropped the chemical bomb that caused all their recent woes and are prepping up to take the fight to him. In a very weird arrangement of panels, Spider-Woman listens on and then appears to strip in the middle of the meeting (actually, her locale changes and turns into background shadows, but at face value, girl likes to get naked). It's shower time and Logan makes his grand entrance. The chat is simple, just looking to see what Spider-Woman told them (nothing more than Elektra's Skrull situation, or so she says) and he tells her that the Hood is on the loose and just knocked over a place in Jersey and wrecked Deathlok. This is when Black Widow shows up in her underwear to borrow deodorant and Logan jumps through a window to be rescued by Spider-Man and swung out of there. Reading that sentence makes me laugh.
Cut back to the New Avengers who've tracked down the Hood and Pals to the last pages of last month's issue and that's when my brain broke. That's right: within one issue we are blasted into the future to a storyline that hasn't even hit the shelves yet and then slingshot into the past with contents from last month's issue! This book exists and doesn't exist at the same time! HOW CAN THIS BE?!? In all fairness, this isn't exactly Bendis's fault since publishing schedules are incredibly skewed with Mighty Avengers as late as it is, but WOW. It's like I should be able to put my hand in a wormhole in the middle of this book!
Coming back to where I started, when I was asked about the New Avengers I had to tell the poor guy that he might not want to jump onto the book right now but wait awhile until continuity settles in. I also suggested Captain America.
Anyhow, yes. New Avengers, rooftop, looking in magically on the scene where the Hood and Pals are enjoying their big pile of money. For some reason, the New Avengers aren't sure they can take the assembled villains; Hawkeye considers them way out-powered and Iron Fist suggests leaving. Luke Cage notes that it took a bunch of them to take out the Wrecker. And Doctor Strange ... suggests backup. After that rather sad little exchange of doubt in the World's Mightiest Heroes (or at least Most Secret Heroes), we cut back to the Hood and Pals who are watching the last page or so from last issue, the taped broadcast from the symbiote disaster which... had to have happened later that day and this is obviously a report after everything is back to normal. No breaking news here, the Hood still sees a grand opportunity and that's when Luke Cage busts in like the Kool-Aid Man. The Hood sneers, thinking that Cage was stupid enough to come alone and on the last page, we have a weird hodgepodge of impressive heroes from Thor to Angel in his Champions uniform to Black Widow striking dramatic poses behind Luke, who obviously didn't come alone after all.
No, because this is probably just Doctor Strange creating an illusion and enforcing the idea that Bendis really doesn't know what he's doing with the Sorcerer Supreme outside of Deus Ex Machinas ('No one here's a Skrull because MAGIC said so!') and, at least by this issue, using him to see far through a building and create an illusion. While he's off ingesting ZOM in World Ward Hulk, it honestly feels like he's just babysitting these fools. Sure, I know the last Illuminati issue says he's been rather weak these days, but I'd still like to see something more than a holographic projector and a pair of binoculars from the guy. Then again, this could be me.
So, all you need to know for the New Avengers is that they are going to fight The Hood and Pals next issue. Everything else is like looking into the time vortex.
Call Me Kreskin
In the spirit of calling things, I now look to World War Hulk and pretty much figure out that... yeah. This is the Warbound's fault.
Specifically, Miek and "Brood Creature 2 of 6" (or so the Planet Hulk hardcover tells me) as around Incredible Hulk #103 went into the pod that lunched the Hulk into space to... touch carapaces or something. My apologies, I only lightly followed the prequel series ot World War Hulk, something I'll get to in a second. So, anyhoo, they find the recording of the Illuminati that was part of the ship's systems after lamenting that 'Holku' is forgetting what a terrible engine of destruction he was throughout the rest of this storyline Now that the evil Emperor is dead, he's got a wife and kid and seems to be making some shot for peace in this crazy mixed-up world he's now ruling, Miek watches the recording and realizes that this could help him "remember".
So, my guess is that he and the Brood rigged the thing to explode. Now, whether or not the rest of the Warbound are going to be in on it is probably not likely and the two buggy aliens will take the fall for blowing up everything the Hulk had ever created in his life. The tradgedy and betrayal will shake the Hulk to his core, make him realize that he'd been just as used as Banner ever was and cue the sad piano music and the man makes himself scarce after everything he's done. Obviously, there's a red Hulk to sort out and the direction of the two Hulk books to hash out, but I don't think they are going to pin the death of Sakaar on the Illuminati. Sure, they're jerks, but rigging the pod to explode should be too far for even them.
Not bad, as far as the Hulk mythos goes and really, this should put things back on even keel between Banner and his monstrous alter-ego (or should it be the Hulk and his puny other-half?) and set the stage for the right stories to be on the shelves when the movie hits. It will also allow for a Warbound mini-series as the two traitor will have to be dealt with and I'm pretty sure the Hulk will have washed his hands of them after all this. The heroes can go free and get back to what they've been doing for the past how many issues in their own books and the only real shake-up of the series is self-contained.
On the other hand... this would really suck for people who hadn't read Planet Hulk and have no idea for the motivations of the Warbound. It's a little like Loeb's trick of introducing a new character and then revealing they've been behind the villainy of the story they were introduced in the entire time.
All I know is that after tomorrow, World War Hulk will be over and I hope to high heaven I never have to see the Sentry sit on the damned couch ever again.
All You Need to Know – Captain Marvel #1
Yeah, I'm doing a lot of single issue reviews, rather than the big block of a bunch because I know that when I see things like 'Captain Marvel #1', I need some moral support to know if it's going to be worth my hard earned $2.99 ($3.22 with tax in CA, retailers: the price is on the back). On one hand, it's Captain Marvel, a man lost in time and this particular man hearkens back from a time a lot of comic fans got into the Marvel Universe. For the most part, they seem to be playing him as a man out of his element much the way Captain America was from the Greatest Generation and I can dig a look at how times have changed and how we can account for that.
On the other hand... this was the lamest part of Civil War and I'm counting Captain America's sudden surrender in #7 and Frontline's infamous MySpace Debate with that. In what seemed to me, at least, to be a clear grab for extra cash, they threw in a long dead (and "well dead" in my humble opinion as Captain Marvel's succumbing to cancer is still talked about with some reverence around the store) character back from nowhere to serve in a manner that contradicted itself (wasn't the evil guy in Civil War: Young Avengers/Runaways the warden of 42 or whatever?) and was forgotten about amidst the rest of the Civil War battle. Yeah, I'm bitter, I'm still smarting from that Thor issue, do forgive the irritability.
Anyhow, here we are with Captain Marvel #1 which starts off with a reminder that he was totally in the background of those big shots in Civil War, we just never saw him because he was just off panel looking awesome. And I'll give the book that; the artwork is really well suited to the words and I rather like the lone shot of what I assume is Captain Marvel's grave out on a moon. Even in civilian mode, Mar-Vel carries himself well, like an alien officer would and should amongst the rest of us.
As for his story, well.... turns out he's just as lost as the reader is. Fighting crime when it comes to him, dispatching dastardly crooks as much as he feels like it, and spending his days looking at a painting for some sign of what comes next. Alexander in Babyon by Charles Le Brun to be exact, a painting he thinks has some answer to his recent time-jump and thus, this mini-series. Kind of a neat plot point and an almost romantic look at an editorial decision.
Otherwise, there's a Church of Hala that's popped up because a woman calling herself Mother Starr saw Captain Marvel during Civil War and so people are preaching on street corners of his glorious return. Also, there's a SHIELD agent named Agent Sante who's sent by Iron Man through some psionic conferencing to find Captain Marvel, who obviously went AWOL after Civil War. Since she was just sent to find him, she finds him and considers her job done. Also, there is a French Whirlwind named André Gerrard, but he wants you to call him Cyclone.
It's not a bad first issue, but no socks are being knocked off. It's certainly worth a gander at #2. The story is written rather well, putting Mar-Vell next to you and me in the puzzle of what to do next. The artwork fits the narrative and gives a bit of class to the whole affair, almost an old school look for an old school hero. All you need to know? Captain Marvel is just as confused as the rest of us, but there's a clue in classic art, take that as you will.
All You Need to Know – Thor #4
We got a preview copy of next week's Thor #4 and I am so sorry.
I'm almost more sorry about this than I am about World War Hulk: Gamma Corps. As much of a huge waste of space that mini-series was, at least it was a mini. At least it dealt mostly with background characters and a few old names only die hard guys are going to care about. This is Thor. Thor.
I've said it before, I'll say it again: like the cover of a Led Zepplin album. Thor should come with righteous fury, battling the heavens from which he came and downing his success with lusty warrior-women hanging off his biceps and longing for the next change to test his godly mettle. Iron Fist has gone from Guy in Slippers to fan sensation just by upping his game and giving us action and adventure at the end of a thing like unto iron. I sell that book simply by showing people one of the last few pages in the trade where two guys kick each other so hard they cause an entire floor of a high rise to explode.
Thor is a no-brainer. He should be making entire buildings explode before breakfast. This issue... not so much. And the thing is, Thor does do something incredible in this issue, he does silhouette himself with lighting crackling in the background, but...there is just something missing. Something not right that maybe doesn't translate well in single issue, maybe can't wash the heavy handed soapboxing from the rest of the issue, maybe doesn't have the same visceral punch I'm looking for artistically. Whatever it is, it's just falling short of being Thor from on high and I am so sorry that some people are out there thinking that this is what Marvel's God of Thunder is all about.
He should be about might and magic, epic tales of valor and destruction, things that make our lives small in comparison and let us dream of better worlds and high heroes than a mere mortal could attain. Donald Blake is the lighting rod through which the Conan soundtrack comes to life and rides down the blackest hearts that could only come from myth and legend. I want SO MUCH and, sad to say, I'm getting so little.
Spoilers Ahead, but if you already know that Thor will win any conflict he gets into and that he's going to find some dudes who will turn out to be undiscovered Asgardians, then there you go.
Where Do You Read Your Comics?
Okay! Victory dance aside, we're back! And almost as good as new which is why I'm coming to you, Gentle Reader, with really... a good question.
Where do you read comics? On your lunch break? On the bus or other public transport? Do you buy a 'Reader's Copy' especially for the job? Do you read your comic then slip it into a bag and board and file it away or does it linger about the house for a bit until you remember to put it away? Do you have a box just for banking books until you get enough to read in a block? How do we read these things?
Thinking about it like this, I can kind of understand how the average Joe off the street can find themselves off-kilter when approaching comics and normally just grab the trade; the fact I can think of ... what, eight obsessive-compulsive ways to read and/or store comics as opposed to the universally understood book might be what's going through their heads as well. After all, these things are going to be worth MONEY some day, right? Nobody wants to be yet another older customer, longing for yesteryear before their parents threw out their obvious goldmines.
So, how do you the Comic Fan(tm) read your books? Do you dare eat lunch with them? Do you save them all into a storyline or just grab and go, turning pages in the car after you leave the shop?
Personally, I'm a lucky daughter-of-a-gun who gets to work around these things on a daily basis. No, that doesn't mean I read in the store while at the counter (seriously! stop looking at me like that!), but that means I can grab a bit of time in the back with some books, take them with me at lunch, borrow them overnight (bringing them back in the morning like the special star employee I am) and generally bring comics with me wherever I go. I tend to have a couple in the car, one in my bag, a TP at bedside, plenty around the living room and the computer desk, all for quick reference or perusal when whim strikes.
Where are yours read?
Fan Entitlement
Much like hating people but loving gatherings (isn't it ironic?), I get a kick out of Harry Potter fandom. Not the books mind you, as I tried to read the first one and it just wasn't my bag, but the people who are rabid for the world of wizards and muggles. Without more than my few chapters' worth of work, I know more about the franchise than honestly I should because of the loyal, creative and sometimes cuckoo-for-cocoa-puffs fans. People who've invested time and lightened kids' imaginations by staging wizarding events and who encourage fandom in their kids by knitting them scarves and making their own wands and whatnot is hands down awesome; as a die-hard Trekkie since I was wee, the time my parents spent shuffling me to a convention or helping my sew my first classic Romulan uniform are special and certainly encouraged me to be the person I am today.
But then... there are the other fans.
The best spot to watch people dig their own graves is Fandom Wank, a community of people dedicated to watching people take their hobbies far too seriously and, sad and true, Harry Potter is a common topic. With the last book released this year, the Fandom Wank folks declared the coming of the 'Potterdämmerung', the fan uprising of all fan uprisings and only recently has this really bloomed.
The reason why I share it here with you kindly people is that apparently, there's this guy in charge of annotated resource for the books called 'The Leaky Cauldron'. A fairly popular resource and reorganization of the information in the books, the webauthor decided to publish his site as a book; the problem with this is that JK Rowling had already announced that she was going to do an encyclopedia of sorts (the kind of book the Leaky Cauldron was going to do) and that a lot of the info on the site is taken directly from the books and would be a sort of plagiarism.
Now, when asked by JK Rowling and the WB (since they own the rights to movie stills and/or specific content) not to publish this book or at least show them that the Leaky Cauldron's work wouldn't be direct lifting, you'd think that the author would back down, show that he was doing original content and give the people who got him into this business, so to speak, their due. Not so! This whole mess is actually going to court and is packed to the brim with angry fans who think that JK ROWLING has completely lost it by telling the Leaky Cauldron guy he shouldn't publish her work reorganized in alphabetical order.
More theories have come to light with fairly damning evidence that the Leaky Cauldron guy had plans that he would help Rowling with publishing her encyclopedia when the series was over and did seem to be in good favor with the multi-million dollar author, but Rowling didn't take up his offer, he decided (and spoke loudly at a con) that the fans were taking over.
So remember, folks: fan entitlement is everywhere. And sometimes, it can get really nasty.
Rapey Comments Comin’ Atcha!
By the way, I’d like to point out to people who follow Newsarama – in the fight scene with the Skrull, Namor begins it fully clothed, and, by the time it’s over, his shirt is ripped open, and more of his naked body can be seen. I know that this will cause a letter-writing campaign of my obvious disdain for fish-men, and my desire to see fish-men injured and demeaned – even though my dad was a fish-man and I know many fish-men still.
Recently, I've been watching a particular online board with car wreck fascination and keeping a tally of how long someone can drag out an indiscretion instead of coming to an understanding and accepting both sides of an argument. I mean, Bendis himself gets lambasted by people who just can't let go of the 'death' of Hawkeye, you think the man would learn to realize if someone thinks you wrote a bad issue, it's not the best idea to dreg it up and poke a little fun at them. Best to let the whole thing drop and wait for Straczynski to step in the dog poo and take up arms against his detractors.
I'm sure Bendis is just in it for the lutz.
Run Silent, Run Deep
Alright, after New Avengers: Illuminati #5, I just have to start with

I CALLED IT!!
Send down the balloons, Mr. Colbert because I CALLED THAT MO'FO'! And I was even sick at the time! Mind you, I do know that this is a little like called who's buried in Grant's Tomb, but these days the fickle hand of Marvel fate can take the most logical of courses and send them over the waterfall in a barrel. I called this, it does fix a few things and eases a few fears over inconsistent characterizations.
So, Black Bolt was a Skrull. No ifs, ands or buts about it and if the story is solid, he would have been a Skrull for a long time. I'm going to again say that Black Bolt was probably a Skrull Post-Jenkins Inhumans mini because 1) I really like that story and 2) it's in this semi-nebulous area of time that doesn't actually relate to many stories outside of itself (shame, really). In fact, it'd probably be best if we just find where the first really stupid decisions started getting made and take it from there.
Pre-Silent War? Well, yes. Poor leadership positions and a rather aggro attitude towards something that should have been solved in a more thoughtful manner ("Hey, Reed? Medusa here. Yeah, your government got a hold of some lethally dangerous Terrigen Mist crystals because my brother-in-law went crazy. Can you go use your sway as a Very Important Person and our long term ally and help us out? Sure, we'll watch your kids this Sunday!") that would have gelled better with previous history. Pre-Hulk Decision? Most definitely; divide and conquer plus Xavier not being there to ratt him out (though, apparently the Skrulls have gotten a recent upgrade according to this issue that makes them undetectable by logical methods) make a well-played move for the sneaky Skrulls that's done a heck of a lot of damage.
But beyond that? Nothing's really jumping out at me. This might be because continuity hasn't been rewritten yet that will totally show us all how incredibly well thought out this invasion is, or we might have reached the moment of switcheroo. In that case... where's Black Bolt? How did they swap him out? Did they even swap him out or was there a disintegrator ray used and is this a more serious threat than simple body swapping?
The very idea of killing off the people these Skrulls are impersonating sounds like such a bad idea. It's shooting yourself in the foot to add a level of danger to a plot that, let's face it, we've seen before. It's like saying superheroes would become enemies of the state if they don't register with the government and taking vigilantism out of Marvel- ... Yeah. It seems like an extra twist of the screw that would make everything more brutal and real and dangerous and that is so up Bendis's alley right now. It's why we have two Avengers books, it's why Tigra got the ever-living daylights beat out of her in gruesome detail on panel.
Who can you trust, indeed?

War is Over, If You Want It
Ladies and gentlemen, World War Hulk.
The final issue off the stands and in my hot little hands, I actually felt I needed time to digest the conclusion and take in everything that went down. 'Cause, boy did it ever. It's like they took all the RARGH FIGHT! that was supposed to be in Thor and shot it directly into the eyeball of World War Hulk.
And, despite appearances, the Sentry just didn't show up to mop things up. He was there to crank things to 11, though really you've seen NYC get pulverized once this year, you've seen it all. Once the Sentry had done his bit for King and country and had his agoraphobic butt handed to him (tangent for a moment: does it bother anyone else as it does me that they everyone constantly refers to the Sentry's agoraphobia in those exact words. 'But, my agoraphobia-" and "he's agoraphobic" to name a couple of rather generic examples, it just seems that everyone just learned that word and want to use it as much as possible. Jenkins didn't tell, he showed us why Bob distrusts the outside, but yet everyone including the Sentry himself constantly refer to his DSMIV status. Anyway...), the book still isn't done with us. A villain emerges! Another battle happens where the Hulk takes out his frustrations on the actual planet! We're cranking it to 12 here people! It's like we finally have our title as it seems as if we're going to lose a good chunk of the eastern seaboard when Tony Stark nukes the Hulk from orbit.
Well, it's the only way to be sure.
And it's over and everyone goes back to their homes and we join their books, already in progress. It's a big ending, don't get me wrong and probably the best thing I've read from Greg Pak yet but... it feels empty. Less like Tony Stark saved the world (again), and more like the Hulk just stuck out his chin t take one for the team. I mean, after all that destruction and chaos and large explosions... that's it? Something that feels like they could have done it four issues ago? I'm not saying they could (Tony was very busy at the time), but ... ehn.
It seems to me (and a very good friend of mine) that World War Hulk ended because the Hulk wanted it to. He was tired of being used, he was tired of being angry, he was just tired. So he let Tony get in his orbital shot and let go.
Personally, I hope that the red Hulk isn't Banner. That they let him rest in his little SHIELD torpedo tube and that he gets a break to rest, recover and return a hero, a misunderstood monster with a frightening past that could be anyone one just one bad day. In my perfect world sans Bruce Jones, his little pod doo-dad would rest next to Betty Banner's and together, they could sleep and find peace where they could not find it in life.